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- FilmConvert Pro 2.36 AE 122.8 Mb FilmConvert Pro is a software tool from Rubber Monkey Software, is described as a film-emulation plugin, and it’s different. It accurately models the response of many digital cameras and film stocks, and provides a different transformation.
- FilmConvert Pro 2.39a for Adobe Win x64. Continue Reading. FilmConvert Pro OFX 2.20 Win x64. Posted by Users on 2018/08/30. FilmConvert Pro Bundle Updated 2016 Mac. Continue Reading. Rubber Monkey FilmConvert Pro v2.36 CE Win. Posted by Diptra on 2016/04/28.
- FilmConvert includes dedicated camera packs that increase the color accuracy of the film match to your footage. The camera packs work inside the FilmConvert plugin software. They cannot be loaded into your camera, but you can use the plugin software to export a LUT.
FilmConvert Pro 2.36 AE | 122.8 Mb
FilmConvert Pro is a software tool from Rubber Monkey Software, is described as a film-emulation plugin, and it’s different. It accurately models the response of many digital cameras and film stocks, and provides a different transformation for each camera-and-stock combination.
The examples on the FilmConvert website are very impressive. They have shot several example scenes and charts with a Red One and an Arri 435 loaded with various film stocks. You can compare the images of the digital footage without any processing, the digital image processed using FilmConvert software, and the film footage. The images of the film footage and the processed Red One footage are almost identical. It’s pretty mind-blowing.
FilmConvert works on any digital camera footage. For more accurate results, free camera profiles are available, and the company is constantly releasing new ones. Currently supported Cameras include the ARRI Alexa, the Blackmagic Cinema Camera, the Blackmagic Pocket Camera, the Canon 1DC, the Canon 5D Mk II and Mk III, the Canon 6D, the Canon 550D/T2i, the Canon 600D/T3i, the Canon 7D/60D, the Canon C100 and C300, the Canon XF300, the Digital Bolex D16, the GoPro Hero, the Nikon D800 and D7000, the Panasonic GH2, GH3, and GH4, the Red One, Red One MX, Red Epic and Scarlet, Sony EX3 and EX1, Sony F55, and Sony FS700
The software works within your NLE or as standalone software. As a Windows user, I didn’t test the standalone version, which is currently available only for OS X.
Installing FilmConvert was straightforward and easy. After you do so, a “Film Emulation” category is added to your NLE effects box. The user controls are straightforward. There is a camera section, where you choose the camera your footage was shot on and the color space used, exposure and color temperature sliders, a film settings section with a convert to stock selector and a size selector that determines grain size. 35mm full-frame would be the finest level of grain, while 8mm would be the coarsest. Percentage sliders let you decide how much of the emulation and grain to apply.
FilmConvert also features a color-correction section, including three color wheels to adjust the color of the shadows, midtones, and highlights, sliders to adjust the image by adding or removing brightness, and a levels graph and adjustments.
FilmConvert is the result of extensive R&D and testing. The company’s engineers shot source charts with many different digital cameras, including different picture profiles for each, and then shot the same same charts with various film stocks. Rubber Monkey carefully studied how individual cameras record an image and, through this scientific approach, has been able to very accurately transform the look of your footage.
FilmConvert models the following film stocks:
Motion Color Negative
Kodak Vision 3 250D 5207, Kodak Vision 3 200T 5213, Fuji Vivid 8543, Fuji Eterna 8553, Fuji Reala 8563
Kodak Vision 3 250D 5207, Kodak Vision 3 200T 5213, Fuji Vivid 8543, Fuji Eterna 8553, Fuji Reala 8563
Stills Color Transparency
Fuji Astia, Fuji Provia, Fuji Velvia
Fuji Astia, Fuji Provia, Fuji Velvia
Stills Black and White
Fuji Neopan, Ilford Delta 400, Ilford Delta 3200, Kodak T-Maxx 100, Kodak Tri-X 400
Fuji Neopan, Ilford Delta 400, Ilford Delta 3200, Kodak T-Maxx 100, Kodak Tri-X 400
Stills Color Negative
Fujicolor Pro 400H, Fujicolor Pro 160s, Fujifilm Superia Xtra 400, Kodak Portra 400
Fujicolor Pro 400H, Fujicolor Pro 160s, Fujifilm Superia Xtra 400, Kodak Portra 400
Stills Color Positive
Polaroid 600
Polaroid 600
Whats New in version 2.36:
Removed the requirement for Win 7 machines to have a WIC update.
Fixed a typo in the version reporting of the plugin.
Removed the requirement for Win 7 machines to have a WIC update.
Fixed a typo in the version reporting of the plugin.
Filmconvert Pro 2 For Mac Os
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What is FilmConvert?
Filmconvert Address
Ever since the introduction of Digital Cameras, digital evangelists have been saying how Film would eventually be superceeded and replaced. After several decades, this is finally happening. However, for many people, the look of the digital footage still leaves a lot to be desired and doesn't look as good straight out of the camera.
What is it about film that people like so much?
Some people say that film has a 'magical' and 'organic' quality that can never be achieved by a digital camera. We take a more scientific approach. For many years, the film workflow has been to have the film scanned and then graded digitally. Both formats end up as digital files, we can compare them and find out the specific the differences.
Our tests have shown that film responds to colors in a different way. Let's look at an example - shot on Fuji Pro 160s, and the same image shot on a Canon 5D Mk II. Look specifically how the trees seem to 'pop' in the film image.
Applying FilmConvert to your mediaOnce FilmConvert is installed, you will want to apply it to your footage. To do that: • First open up After Effects or Premiere.
- Create a new project, or open up an existing project.
- In the case of a new project, import some media, and drag it onto the timeline (Premiere) or a composition (After Effects).
- If in Premiere find the Effects tab. In After Effects, find the Effects menu item.
- Go the Film Emulation category, which currently has just one item FilmConvert. Drag the effect onto your media.
What is new?
- Added support for the Sony FS700
![Filmconvert Pro 2 For Mac Filmconvert Pro 2 For Mac](/uploads/1/1/7/6/117648718/320423598.jpg)
- Fixed grain bug in GPU renderer... grain was colored when using black and white stocks.
- Added OpenCL fix for a problem some people have been experiencing.
- Added Color Corrector, Levels and Saturation controls.
Filmconvert Plugin
- Added GPU accelerated rendering.
System Requirements
-FilmConvert forAfter Effects or Premiere Pro works on CS5.5, CS6, CC-Windows64 bit.
Language :English
Homepage :http://www.filmconvert.com/default.aspx